前身是(shì )皇軍(jun1 )(👷)軍(🔨)港的吳港,戰後成為船(chuán )塢(🔼)工(gōng )人的生活煉獄。在資本家剝削和(🎗)枯(kū )燥生(shēng )活的雙重(chóng )煎熬(🏴)下,躁(🥩)動的年輕生命(👋),一頭栽(❣)進暴力漩渦,延擱成(chéng )(🐿)長,終日在打鬥、賭博、酗(🙍)酒中尋找暫時的麻醉。吉田(tián )喜重通過工頭之(✖)眼,對不合理的(de )(🥀)社會現實(shí )作(zuò )出欲(💞)迎(⏺)還拒(jù )的(de )批判,被視為日本(🛑)新浪(😞)潮(cháo )代(dài )(🔢)表作之一(yī )。香山(shān )美子飾演純(chún )真(zhēn )的(🔝)酒館女待,同情工(gōng )(🙄)人卻慘(cǎn )被(bèi )強姦,正與負的(⛏)能量,在(🧤)大(🔔)時(shí )代(🤲)中比拼互滲,可有(yǒu )超越(🥕)對與錯,是與非的位置?片末火車站送別(🏉)一場,在(🛎)家和(🚗)社(🐾)會之間(jiān ),吉(jí )田喜(🌹)重(⛏)作出了左(🤷)翼的選擇(zé )。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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